FOUNDED IN 1992, Cynthia Filkoff and Armand Di Biase established the firm in Bedford, New York providing outstanding quality custom residential design to discerning clients. Today, Di Biase Filkoff Architects, PC is widely recognized for creating gracious homes, award winning versatile design and proficiently collaborating with interior designers, landscape architects, artisans, and builders.
Principals contribute in all phases of each project. Projects range in scope from country estates with multiple outbuildings to corporate office buildings and master planning for academic alterations. Di Biase Filkoff Architects, PC is licensed to practice architecture in New York, Connecticut, Massachusetts, New Jersey, South Carolina, and Florida.
CYNTHIA FILKOFF was raised in Connecticut and studied Liberal Arts in Santa Cruz, CA before earning her Bachelor of Architecture from Syracuse University in 1985. She attended the prestigious Florence program and traveled extensively throughout Tuscany.
Principals contribute in all phases of each project. Projects range in scope from country estates with multiple outbuildings to corporate office buildings and master planning for academic alterations. Di Biase Filkoff Architects, PC is licensed to practice architecture in New York, Connecticut, Massachusetts, New Jersey, South Carolina, and Florida.
CYNTHIA FILKOFF was raised in Connecticut and studied Liberal Arts in Santa Cruz, CA before earning her Bachelor of Architecture from Syracuse University in 1985. She attended the prestigious Florence program and traveled extensively throughout Tuscany.
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In the late 50s, Omiros became fascinated by the infinite expanses of space in the universe.
At this time, he called his paintings "Mon Espace Libre": "My Free Space".
He wondered: "what happens to perspective at the end of space?"
He began to minimize and reduce the pigment in the paint in order to see.
He realizes that perspective needs a concept to be perceived and when you add pigment back, the perception of perspective becomes real.
But where does perspective go when you can no longer perceive it?
At this time, he called his paintings "Mon Espace Libre": "My Free Space".
He wondered: "what happens to perspective at the end of space?"
He began to minimize and reduce the pigment in the paint in order to see.
He realizes that perspective needs a concept to be perceived and when you add pigment back, the perception of perspective becomes real.
But where does perspective go when you can no longer perceive it?
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